This is one of two oil studies inspired by a trip to London in 2014.
This study captures the vegetation along the river towards Buckingham Palace, where the light and colours create a beautiful scene to walk through.
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| 11/12/2025 Sketch on paper |
First Sketch on paper - The Thames riverbank at St James Park, Buckingham Palace
Sketch on paper - Laving Dunkerque, France
This piece is inspired by a sunset I photographed from the ferry in April last year, as I was leaving the port of Dunkerque to return to the UK. There’s something truly special about the moment when the sun gently sinks into the horizon. The colours can feel almost unreal, creating a magical atmosphere — as if time briefly stands still.
Iy is an oil on paper and I used the plaette knife for most of it.
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| 09/12/2025 oil sketch on paper |
Preparatory sketches for Countryside Path, Corona Verde Stura Nole, Italy
These are oil sketches on paper that I made to create a new painting.
They feature a field in Corona Verde Stura Nole, Italy where I used to walk with my dog when we lived there.
I tried to simplify the scene, by focusing on blocks of colours put next to each other instead of the individual elements in the painting.
Sunshine over the Hill, Coronation Park, Ystradgynlais
“Sunshine over the Hill, Coronation Park, Ystradgynlais” was painted on location in a new area I discovered some time ago above Coronation Park in Ystradgynlais.
Unfortunately, at this time of year it is not easy to walk up there, as much of the route is covered in marshy grass and mud. In the end, however, I found a lovely dry, sunlit patch of green grass from which I had a wonderful view.
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| 149. Sunshine over the Hill, Coronation Park, Ystradgynlais Oil on wooden panel 9.4 × 7 in / 24 × 18 cm 25th November 2025 |
I began the painting using brushes, but then switched to a palette knife, which I used for the remainder of the work.
I really loved the rare sunny afternoon up on the hill. The colours of nature were vivid and varied, and the temperature was very mild.
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Winter Land
When it isn’t pouring with rain, it’s the perfect moment to head outdoors and capture the landscape where I live.
This piece is a study painted in Ystradfawr Nature Reserve. By standing on higher ground, I was able to take in a wider view — from the walking path below to the clouds drifting across the sky.
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| 148. Winter land 10 × 7 in / 25.5 × 17.8 cm Oil on wooden panel 24th November 2025 |
As the sun began to set, the sky started to display soft pink hues.
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| Photo taken on location |
I loved being out there, witnessing the magic of nature.
Returning to the Garden
This time, I have done something completely new for me: a commission based on a painting I made over the summer.
It features the garden pot on the steps that lead from the patio to the lawn in our garden, encapsulating the joy and happiness that our first few months of gardening have brought us.
Working from a previous plein air piece of mine as a reference, and noticing how different the approach was, was truly a new adventure for me. It is, in fact, a reinterpretation of something I have already experienced, but with a fresh, updated twist, allowing me the freedom to alter and adjust it according to my current perspective.
I really enjoyed the process and learnt so much from it.
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| 147. Returning to the Garden 29.7 x 21 cm / 11.7 x 8.3 in Oil on wooden panel 12th November 2025 |
Below, you can see the painting process divided into three stages: drawing, blocking in, and refined painting.
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| Stage 1 |
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| Stage 2 |
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| Stage 3 |
Autumn on the Moors
Autumn on the Moors is a small plein-air painting capturing the wild character of the higher ground, where wind, sun, clouds, and marsh grass create the atmosphere of untouched beauty.
It was painted on a glorious autumnal day in the Ystradgynlais area, in an alla prima style.
I was drawn to the spot because I wanted to enjoy the good weather after many days of rain.
.jpg "Autumn on the Moors") |
| 145. Autumn on the Moors 6.1 × 7.7 in / 15.5 × 19.5 cm Oil on wooden panel 8th November 2025 |
Here you can get a glimpse of the environment I was working in.
.jpg "Photo taken at the end of the painting session")
It is a landscape painting with a focus on the clouds above the land.
The two people in the photo really were there — quite an unusual sight up there.
THREE AUTUMNAL PEARS
I decided to paint this still life for a few reasons:
- It’s been raining for some time, and the weather outdoors is awful.
- I fancied eating some pears, and they inspired me when I saw them in Tesco.
- I thought they’d make a good painting subject.
So, I used my last available painting surface — a canvas board that had been lying around for a few months.
I normally paint on wooden panels, as I prefer them to canvas for plein air painting, but in this case it worked well for a still life.
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| 144. Three Autumnal Pears 11.8 x 11.8 in / 30 x 30 cm Oil on canvas panel 26th October 2025 |
This is the painting on the easel in my studio where the still life was arranged.
It is now available in my shop.
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