Showing posts with label 2026. Show all posts
Showing posts with label 2026. Show all posts

Patchwork fields on the Welsh hill

 Patchwork fields on the Welsh hill is the view I always admire from my garden. The spot I painted it from is my car park, where I have the clearest view of it.

Painted alla prima en plein air.

Patchwork fields on the Welsh hill, oil painting by Valentina Teghillo
196.
Patchwork fields on the Welsh hill
6.1 x 7.9 in / 15.5 x 20 cm
oil on board
28th July 2026


This is a quick photo I took at the end of the painting session
This is a quick photo I took at the end of the painting session 


Shaded sheep

 Shaded sheep features some sheep resting beneath an oak tree in Ystradfawr Nature Reserve.

Painted en plein air in one session.

Shaded sheep, oil painting by Valentina Teghillo
195.
Shaded sheep
8 x 10 in / 20.4 x 25.4 cm
oil on board
24th July 2026



Photo of Shaded sheep taken at the end of the painting session 


Hydrangeas and Nasturtiums

 Despite the heat and the drought, this summer has brought a triumph of flowers in the garden, and I just can’t get enough of them.

What I particularly love here is the texture of the bricks we used for this flower bed. They’re so irregular and beautifully variegated, and when the sunlight falls on them, they’re a joy to look at.

Of course, the flowers are the main attraction, especially the hydrangeas. After starting out such a pure white, they gradually become dusted with delicate shades of pink – a transformation that’s hard to describe in words. In this painting, though, they hadn’t yet begun that change.


Hydrangeas and Nasturtiums, oil painting by Valentina Teghillo
194.
Hydrangeas and Nasturtiums
12 × 9 in / 30.5 × 22.5 cm
Oil on board
21st July 2026





Photo showing the painting Hydrangeas and Nasturtiums on the easel in front of the subject

Claire Austin rose

Claire Austin rose is inspired by the the great blooming season we are having this year. It is painted from direct observation in the garden and I gave the final touch in the studio.


Claire Austin rose, oil painting by Valentina Teghillo
193.
Claire Austin rose
10.2 × 8.9 in / 26 × 22.7 cm
oil on board
16th July 2026







This photo was taken at the end of the painting session in situ
Photo of the painting at the end of the plein air session.

Penny Lane roses

 Penny lane roses was the attempt to capture the sunlight on these beautiful roses in the garden.

192.
Penny Lane roses 
8.9 x 10.8 in / 22.5 x 27.5 cm
oil on board
14th July 2026



Under the green canopy

 Under the green canopy  is an oil study done in Ystradfawr Nature Reserve.

191.
Under the green canopy
6.1 x 8 in / 15.6 x 20.2 cm
oil on board
7th July 2026


Pink hydrangeas

 Pink hydrangeas is painted alla prima in the late afternoon. 

I tried to capture those beautiful rounded flowers when the sun touched them before setting down.

190.
Pink hydrangeas
9.9 x 7 in / 25.2 x 17.8 cm
oil on board
6th July 2026


Daisies in the garden

 Daisies in the garden is happy and sunny and I loved the contrast of colours and textures.


You can see the painting standing on the easel in front of the subject
the painting on the easel in situ



Daisies in the garden, oil painting by Valentina Teghillo
189.
Daisies in the garden
10.2 x 8.9 in / 26 x 22.7 cm
oil on board
27th June 2026














View from the window

 View from the window is a quick sketch of a late afternoon made with the leftover paint. 

It is on oil paper as my aim was simply to enjoy the process of painting a view I look at every day and that I love so much, because of the lush trees and the green grass.

As I was painting from my living room, the light indoors was not enough to see well but I did my best.


188.
View from the window
12 x 10 in / 30.5 x 25.4 cm
Oil on paper
26th June 2026



Roses in the garden

Roses in the garden is the beginning of my study of roses. 

Painted all prima and in a rush to avoid the hot sun reaching me.

I like the immediacy and the hues.


Roses in the garden, oil painting by Valentina Teghillo
187.
Roses in the garden
10 x 7.1 in / 24 x 18 cm
Oil on board
25th June 2026


painting on the easel on location during the heatwave
painting on the easel on location during the heatwave


Summer in the garden

 Summer in the garden is an oil painting celebrating the abundance of flowers and plants in this year's garden.

Painting during the heatwave and alla prima.

Summer in the garden, oil painting by Valentina Teghillo
186.
Summer in the garden
10 x 8 in / 25.3 x 20.3 cm
oil on board
23rd June 2026



Summer in the garden on the easel in front of the subject
Photo taken at the end of the painting session


Summer clothesline & View to the kitchen

 On this day I carried on my exploration of colours and values with two tiny studies.

The first one is Summer clothesline, featuring my the clothesline seen from my garden. I do love painting colour shapes that closely do not mean much but seen from a certain distance they create the image I was trying to portray.

Summer clothesline, oil study by Valentina Teghillo
185.
Summer clothesline
7 x 5 in / 17.7 x 12.6 cm
oil on canvas board
22nd June 2026



The second one, instead, was made with the leftover paint. I was in my living room looking towards the kitchen. Again the various abstract shapes of colours and hues together create the picture.

View to the kitchen, oil study by Valentina Teghillo
186.
View to the kitchen
7 x 5 in / 17.7 x 12.6 cm
oil on board
22nd June 2026



Soft and rounded afternoon clouds, Varteg hill

 Soft and rounded afternoon clouds, Varteg hill is a studio oil painting.

Started from an unfinished pencil sketch in the car and finished in the studio with oil paint on board.

Soft and rounded afternoon clouds, Varteg hill is an oil painting by Valentina Teghillo
184.
Soft and rounded afternoon clouds, Varteg hill
Oil on board
7.9 x 12 in / 20.3 x 30.5 cm
16th June 2026




This is Soft and rounded afternoon clouds, Varteg hill painting on the easel in Valentina Teghillo's studio
Soft and rounded afternoon clouds, Varteg hill painting on the easel in her studio




Climbing roses - failed

 This is a painting from life that was a flop.

I was not completely happy with that and so I retouched it in the studio. Mistake!!! 

Lesson: if it is a painting from life, do not work on it from memory and feelings of the day after. Take it out again in front of the real subject instead.

This is a painting by Valentina Teghillo that did not see the daylight. It failed.
183.
Climbing roses- failed
Oil on board
15th June 2026


Sheep in Ystradfawr

I forgot to take my brushes with me, so I painted with fingers, twigs and leaves.

A nice and unexpected challenge I really enjoyed in Ystradfawr Nature Reserve.

Sheep in Ystradfawr are two oil painting on cnvas board painted entirely without brushes. Here you can see them on location after the plein air session.
182.
Sheep in Ystradfawr
Oil on canvas board
7 x 5 in / 17.7 x 12.6 cm
8th June 2026


Canal walk

This is a painting made in the studio and it features the canal walk we used to have when we lived near the Monmouthshire and Brecon canal in Llanover, Wales.

I was attracted by the light and reflections created by the sunshine and it shows a lush vegetation I really love.

Canal walk is an oil painting by Valentina Teghillo. Here you can see the painting itself on the easel in her studio.
181.
Canal Walk
Oil on board 
9.9 x 12 in / 25.2 x 30.5 cm
6th June 2026


Garden Studies - part 2

 A second day of oil studies in the garden with further different colour palettes.

Garden Study 3 is an oil on paper featuring some climbing roses in my garden. The photo shows the study n the easel in situ
179.
Garden study 3
Oil on paper
30th May 2026

The first study of the day is featuring my climbing roses in the garden. Some unusual colours to mix the paint for this study.


The second study is about the same flower pots of yesterday but with a different colour palette and with the strong light snd shadow.

GArden Study 4 is an oil study on paper featuring some garden pots and the contrast between light and shadows. The photo shows the painting on the easel in situ.
180.
Garden study 4
Oil on paper
30th May 2026


Garden Studies - part 1

In this day I finally inaugurated my new painting setup: the 12x9-inch easel and 16-inch panel holder by DayBreak Easel, and my carbon-fibre tripod by K&F Concept.

As experimenting is fun and makes you learn new things, I decided to use different a colour palette to try different colour mixing.

The first study is on the top left and it depicts part of my garden and the sky.


Garden study 1 is an oil study on paper featuring part of my garden and te blue sky. Here you can see the painting on the easel in situ.
177.
Garden study 1
Oil on paper
29th May 2026





while in the second I decided to concentrate on the pots in the shaded part of the patio.


Garden study 2 is an oil on paper and it features some garden pots in my patio area. The photo shows the oil study on the easel in situ.
178.
Garden study 2
Oil on paper
29th May 2026


Sky and Land, Walking in the Countryside

 This is another oil painting featuring the beauty of countryside, where nature is lush and you can walk under a big sky.

I liked the path leading to a distant field behind the line of trees and the open sky above with many passing clouds. The sense of peaceful movement was what I tried to recreate in this landscape.


Sky and Land, Walking in the Countryside is an oil painting by Valentina Teghillo
176.
Sky and Land, Walking in the Countryside
Oil on board
9.9 x 12 in / 25.1 x 30.6 cm
3rd May 2026


Clouds and Dandelions

 Inspired by open land and big skies, I painted this landscape painting featuring a well known field in Llanover, Wales.

I worked in the studio over some working sessions. My main focus and aim was to capture the sense of space both of the land and the sky, with the soft feeling of playful clouds.

Clouds and Dandelions is an oil painting by Valentina Teghillo featuring a big sky and a field in part covered in yellow dandelions
175.
Clouds and Dandelions
Oil on boards
12 x 11.8 in / 30.5 x 30 cm
27th April 2026

I really enjoyed using the palette knife to soften edges and create atmosphere.

Patchwork fields on the Welsh hill