Autumn on the Moors

Autumn on the Moors is a small plein-air painting capturing the wild character of the higher ground, where wind, sun, clouds, and marsh grass create the atmosphere of untouched beauty.

It was painted on a glorious autumnal day in the Ystradgynlais area, in an alla prima style.

I was drawn to the spot because I wanted to enjoy the good weather after many days of rain.

145.
Autumn on the Moors
6.1 × 7.7 in / 15.5 × 19.5 cm
Oil on wooden panel
8th November 2025

Here you can get a glimpse of the environment I was working in.

It is a landscape painting with a focus on the clouds above the land.

The two people in the photo really were there — quite an unusual sight up there.

Summer garden

Summer garden is an oil painting completed in two sessions. It features a part of my garden I particularly like.

86.
Summer garden
10 x 8 in / 25.4 x 20.3 cm
oil on board
3rd July 2025

The inspiration came from the summer colours of terracotta pots and the lush green of large nasturtium leaves. Combined with the contrast between the stone in foreground (the steps and the door dog) and the wood in background (the fence), it created the perfect subject for my painting.

Here you can see the first three stages of the painting process:

stage 1

stage 2

stage 3

This time, I also used a palette knife for some areas of the painting, which I enjoyed.

Here are some details:

Brushstrokes

Brushstrokes

Brushstrokes

Brushstrokes

palette knife used in the sky and roofs

I’m quite happy with this painting. I like the summery feeling it captures and the energy of a summer afternoon.

You can purchase it on my website. If you’d like to leave a comment or ask a question, I’ll be more than happy to respond.

The artist's studio

 When the weather isn’t suitable for painting outdoors, I turn my attention indoors. Here is my interior painting of the artist Graeme Sims at work in his studio, painted on 13th June 2025.

84.
The artist's studio
8 x 10 in / 20.32 x 25.40 cm
oil on board
13th June 2025

I’m really pleased with this painting, as my aim was to construct the image using brushstrokes placed with precision in both position and shape. Simplification and minimalism were my main objectives.

Below are some close-ups of the brushwork:

This painting posed an exciting challenge for me: a figure in a colourful interior illuminated by three sources of light—the window on the right-hand side, the ceiling light, and the green lamp on the desk.

If you are interested to purchase this artwork, it's available in my  online shop.