Showing posts with label from life. Show all posts
Showing posts with label from life. Show all posts

The Country Lane

The Country Lane is an oil painting depicting a lane I discovered a few days ago behind Callwen Church, in the Upper Tawe Valley.

I was drawn to its rural atmosphere and the gentle, meandering course of the little road winding through this peaceful countryside.


The country lane, oil painting by Valentina Teghillo
143.
The Country Lane
10 x 8 in / 25.5 x 20.5 cm
Oil on panel
19th October 2025


I like it when the colours reflect those found in real life.


Photo at the end of the painting session on location


The triad

 The triad is a still life featuring three objects I love: a blue vase, an onyx jar, and a small shining bottle.



101
The triad
8 x 8.7 in / 20.3 x 22 cm
Oil on panel
14th August 2025

I was inspired by the different kind of material and their relation with the light.




The finished painting on the easel

Woodland footpath

Woodland Footpath is an oil painting completed within a limited timeframe of two hours — and in full sunlight.

100.
Woodland footpath
7.9 x 9.8 in / 20 x 25  cm
oil on panel
12th August 2025

It features a hidden footpath descending to Penrhos that I discovered by chance.
I like the meandering line winding around the gentle slope where a lonely tree stood.

The scene is in Ystradfawr Nature Reserve, Ystradgynlais.

Edge of the Woods

Edge of the Woods is a painting particularly dear to me, as it captures an idyllic vision of the Welsh countryside, with trees lining a gently descending slope.

99.
Edge of the woods
6.5 x 9.4 in / 16.4 x 24  cm
oil on panel
11th August 2025

I painted it while it was raining, and I loved the peace and tranquillity of the place. It’s located in Ystradfawr Nature Reserve and depicts the countryside between the woodland and Penrhos.

It was completed in a single painting session.

Hydrangea and goblin

Hydrangea and Goblin is a still life I chose to paint because of the flower itself.

This hydrangea ended up in a vase only because it had been damaged by bad weather in the garden. It’s actually the first flower of this kind we've had — and I’ve always wanted to paint hydrangeas, so this felt like the perfect opportunity.


97.
Hydrangea and goblin
16.6 x 24.5 cm / 6.5 x 9.6 in
oil on panel
7th August 2025

I carefully arranged the composition by placing the two subjects on my living room windowsill.

I particularly liked how the light reflected on the various surfaces, as well as the outdoor background.


Photo taken at an early stage of the painting.
In background: The Lioness by Graeme Sims.


Walking path

Walking path is an oil painting created on an overcast day, when the light was flat and diffused.

I was exploring open land in Ystradfawr Nature Reserve, and this is the scene I chose to paint.

96.
Walking path
5.9 x 10.9 in / 15 x 27.7 cm
oil on panel
6th August 2025

This walking path crosses a beautiful stretch of farmland, and many people enjoy strolling there. The two figures I added in the painting are actually a couple who live on the same road as I do.


Picture taken at the end of the painting session.

I liked the idea of using an elongated panel for this landscape — it felt like a fitting format to reflect the path's gentle flow through the scenery.

Summer afternoon bird bath

When there is a striking interplay between light and shadow, I cannot help but be drawn to it.

This is exactly what I felt when I saw the sun’s rays casting shadows on the white wall and across the patio floor.

95.
Summer afternoon bird bath
10.5 x 11 in / 26.6 x 27.9 cm
oil on panel
5th August 2025

This is an alla prima painting, which means it was completed in a single session — something I am currently striving for.

To capture the subject with freshness and immediacy, I aim to finish each piece in just one sitting. This approach helps me avoid becoming overly concerned with details.


Photo taken at the end of the painting session

This oil painting is on a hardboard panel that I cut myself, as part of an effort to repurpose materials already available in my studio. That’s why the edges aren’t perfectly straight.

Home

Home is an interior oil painting I created from direct observation while standing in my living room and looking towards the kitchen.

I was drawn to the contrast between light and dark created by the wall and door dividing the two spaces, with the French windows at the back revealing the garden outside—the source of the light and colour.


94.
Home
oil on panel
10 x 8 in / 25.4 x 20.3 cm
1st August 2025

It took two painting sessions to complete this piece, but it was worth it.


Photo taken at an early painting stage.

I enjoy combining nature with interior scenes, as it brings a sense of liveliness, naturalness, and happiness to the work.

Sunflowers

Now that our sunflowers are in bloom, I really wanted to capture their beauty with a close-up of two of them.


92.
Sunflowers
oil on panel
10 x 8 in / 25.4 x 20.3 cm
26th July 2025

It was a bit of a challenge painting them from a low angle, looking up, with the bright sunlight hitting both my panel and palette. To cope with this difficulty, I painted the entire time while holding an open umbrella in my left hand. It was also a windy day, so painting wasn’t exactly easy — but I loved it and enjoyed being fully in the moment.

Here is a photo taken on location during the painting session.

Photo taken in situ during the painting session.


The blue lamp corner

The Blue Lamp Corner is an oil painting created using a limited palette. It depicts a corner of my living room where we keep documents, diaries, and various bits and bobs.

The main attraction, for me, was the old blue lamp, which I particularly love for its shape and colour.


91.
The blue lamp corner
oil on panel
10 x 8 in / 25.4 x 20.3 cm
24th July 2025

Below, you can see a monochrome photo of the painting. I like to take these at various stages of the process—this one was taken at the final stage and shows the tonal values in the image.



I have a particular fascination with monochrome paintings and photographs; I believe they add a personal character to the subject and a greater sense of directness.


Here, you can also see the painting photographed both at an early stage of the process and once it was completed.


Early painting stage




Finished painting


This painting was completed in a working session.

Hosta in turquoise

This is a painting inspired by the beautiful turquoise colour of the ceramic pot.

It was painted in the alla prima style, and I needed two umbrellas to keep the sun off the panel and palette.


87.
Hosta in turquoise
10 x 8 in / 25.4 x 20.3 cm
oil on board
9rd July 2025


Photo taken during the painting session

A simple and minimal plant, which I find very beautiful and elegant.

THREE AUTUMNAL PEARS