Preparatory sketches for Countryside Path, Corona Verde Stura Nole, Italy

These are oil sketches on paper that I made to create a new painting.

They feature a field in Corona Verde Stura Nole, Italy where I used to walk with my dog when we lived there.

I tried to simplify the scene, by focusing on blocks of colours put next to each other instead of the individual elements in the painting.

Preparatory sketch in oil by Valentina Teghillo

Preparatory sketch by Valentina Teghillo


Sunshine over the Hill, Coronation Park, Ystradgynlais

 “Sunshine over the Hill, Coronation Park, Ystradgynlais” was painted on location in a new area I discovered some time ago above Coronation Park in Ystradgynlais.

Unfortunately, at this time of year it is not easy to walk up there, as much of the route is covered in marshy grass and mud. In the end, however, I found a lovely dry, sunlit patch of green grass from which I had a wonderful view.


A Sunny Winter Day, oil painting by Valentina Teghillo, showing grass, trees and a hill beneath the open sky.
149.
Sunshine over the Hill, Coronation Park, Ystradgynlais
Oil on wooden panel
9.4 × 7 in / 24 × 18 cm
25th November 2025

I began the painting using brushes, but then switched to a palette knife, which I used for the remainder of the work.

I really loved the rare sunny afternoon up on the hill. The colours of nature were vivid and varied, and the temperature was very mild.


Phtot showing Sunshine over the Hill, Coronation Park, Ystradgynlais, oil painting by Valentina Teghillo, on the easel in front of the landscape on location



Winter Land

When it isn’t pouring with rain, it’s the perfect moment to head outdoors and capture the landscape where I live.

This piece is a study painted in Ystradfawr Nature Reserve. By standing on higher ground, I was able to take in a wider view — from the walking path below to the clouds drifting across the sky.


Oil painting featuring the landscape in Ystradfawr Nature Reserve
148.
Winter land
10 × 7 in / 25.5 × 17.8 cm
Oil on wooden panel
24th November 2025


As the sun began to set, the sky started to display soft pink hues.

Photo showing the finished painting on the easel on location
Photo taken on location


I loved being out there, witnessing the magic of nature.

Returning to the Garden

This time, I have done something completely new for me: a commission based on a painting I made over the summer.

It features the garden pot on the steps that lead from the patio to the lawn in our garden, encapsulating the joy and happiness that our first few months of gardening have brought us.

Working from a previous plein air piece of mine as a reference, and noticing how different the approach was, was truly a new adventure for me. It is, in fact, a reinterpretation of something I have already experienced, but with a fresh, updated twist, allowing me the freedom to alter and adjust it according to my current perspective.

I really enjoyed the process and learnt so much from it.

Oil painting by Valentina Teghillo featuring a garden pot and some stone steps
147.
Returning to the Garden
29.7 x 21 cm / 11.7 x 8.3 in
Oil on wooden panel
12th November 2025



Below, you can see the painting process divided into three stages: drawing, blocking in, and refined painting.


Photo showing the first drawing stage of the painting.
Stage 1




Photo showing the phase where I blocked in every area of the painting
Stage 2




Photo showing the finished painting next to the one I used as a reference
Stage 3

Autumn on the Moors

Autumn on the Moors is a small plein-air painting capturing the wild character of the higher ground, where wind, sun, clouds, and marsh grass create the atmosphere of untouched beauty.

It was painted on a glorious autumnal day in the Ystradgynlais area, in an alla prima style.

I was drawn to the spot because I wanted to enjoy the good weather after many days of rain.

Autumn on the Moors is an oil landscape painting by Valentina Teghillo
145.
Autumn on the Moors
6.1 × 7.7 in / 15.5 × 19.5 cm
Oil on wooden panel
8th November 2025


Here you can get a glimpse of the environment I was working in.

Photo taken at the end of the painting session on the Moors in Ystradfawr Nature Reserve. It shows the painting on the easel in front of the wild nature.

It is a landscape painting with a focus on the clouds above the land.

The two people in the photo really were there — quite an unusual sight up there.

THREE AUTUMNAL PEARS

I decided to paint this still life for a few reasons:

  • It’s been raining for some time, and the weather outdoors is awful.
  • I fancied eating some pears, and they inspired me when I saw them in Tesco.
  • I thought they’d make a good painting subject.

So, I used my last available painting surface — a canvas board that had been lying around for a few months.

I normally paint on wooden panels, as I prefer them to canvas for plein air painting, but in this case it worked well for a still life.


Oil painting by Valentina Teghillo featuring three pears on a blue plate and pink table
144.
Three Autumnal Pears
11.8 x 11.8 in / 30 x 30 cm
Oil on canvas panel
26th October 2025 


This is the painting on the easel in my studio where the still life was arranged.

Photo taken at the end of the painting session with the artwork on the easel in front of the still life in the studio


It is now available in my shop.

The Country Lane

The Country Lane is an oil painting depicting a lane I discovered a few days ago behind Callwen Church, in the Upper Tawe Valley.

I was drawn to its rural atmosphere and the gentle, meandering course of the little road winding through this peaceful countryside.


The country lane, oil painting by Valentina Teghillo
143.
The Country Lane
10 x 8 in / 25.5 x 20.5 cm
Oil on panel
19th October 2025


I like it when the colours reflect those found in real life.


Photo at the end of the painting session on location


Trees and sunlight

Trees and Sunlight is an oil painting that was started on location and completed in the studio.

It depicts a group of trees bordering a field in Ystradfawr Nature Reserve, captured in the afternoon when the sun was shining brightly on their foliage and the surrounding grass.

This strong backlighting created an atmospheric glow behind the trees in the foreground. As I was painting contre-jour, I found it difficult to see my panel clearly, so I worked en plein air as much as possible before finishing the piece in the studio, relying on my visual memory.

I particularly enjoyed the warm sunshine and loved capturing the light as it touched the still-green leaves and grass.


142.
Trees and sunlight
8 x 10 in / 20.5 x 25.5 cm
Oil on panel
13th October 2025




Photo taken on location.