The artist's studio

 When the weather isn’t suitable for painting outdoors, I turn my attention indoors. Here is my interior painting of the artist Graeme Sims at work in his studio, painted on 13th June 2025.

84.
The artist's studio
8 x 10 in / 20.32 x 25.40 cm
oil on board

I’m really pleased with this painting, as my aim was to construct the image using brushstrokes placed with precision in both position and shape. Simplification and minimalism were my main objectives.

Below are some close-ups of the brushwork:

This painting posed an exciting challenge for me: a figure in a colourful interior illuminated by three sources of light—the window on the right-hand side, the ceiling light, and the green lamp on the desk.

If you are interested to purchase this artwork, it's available in my  online shop.

Ystradfawr nature reserve

Ystradgynlais Nature Reserve is an oil plein air painting, mostly done on the spot yesterday and completed in the studio today.

My main aim is to respond spontaneously to the subject in front of me, while also trying to simplify everything—avoiding minor details and getting to the core of it.

I like it when I can leave the task of assembling the picture to the observer, so that they can see what they want to see when viewing it from a distance. Nothing is detailed; everything is suggested.

83.
Ystradfawr nature reserve
8 x 10 in / 20.32 x 25.40 cm
oil on board

During the plein air painting session

If you're interested in purchasing this painting, please visit the shop on my website.

Various studies

From 19th May to 10th June, I have been experimenting, studying, and wiping off.

My focus has been on tonal values and simplification through oil studies and pencil sketching. A couple of plein air paintings were done and wiped off because I wasn't confident enough to really see something new in them—and now I wish I hadn't done it. This is part of the learning process.

So, here is a mix of what I've been up to:

On 19th May, I painted this and then, in the studio, I decided to wipe it off.

Between 20th and 21st May, I focused on these four tonal value studies in oil on board:

four tonal value studies in oil on board

study 1

study 2

study 3

(Study 4 is in the first picture above)

Plus this little coloured study of trees and bushes:

From 26th to 30th May, I worked both in the studio and in the garden with sketches and an oil study.

A tonal value study adopting the sight-size technique for the first time
(not a great result, but I was curious to try it)

Tonal value preparatory sketch

During the plein air painting stage

Final version of the oil study

On 2nd June, I did two oil studies of a still life in the garden. The first was from direct observation, and the second was from observing the first study itself. Why? To try to loosen up my brushstrokes and be more spontaneous.

Work in progress with study 1

Study 1

Study 2

On 3rd June, I directed my attention to the Brecon Beacons National Park by looking through my window.

Here are two studies of the same panorama at two different moments of the day.

On 6th June, I did two more oil studies of flowers.

Tulips

Peonies and coffee cup

Finally, on 10th June, I went out for a plein air session and ended up with two paintings of the same subject because I wasn’t convinced by the first one.

This is the first painting, which no longer exists.

The second painting was finished the day after, and you can see it in my next post.

Countryside walk

 I've just finished this oil painting, based on a photo reference I took in 2016.

82.
Countryside walk
7.8 × 11.8 in / 19.8 × 29.9 cm
oil on board

I decided to call it Countryside Walk because that was the moment when I saw this beautiful natural composition. As often happens when I walk with my dog in nature, I’m easily drawn to the beautiful play of clouds in the sky and the shadows cast on the ground.

For me, movement, freedom, and fresh air are the essence of nature – elements I tried to capture in this painting.

Below, you can see some close-up details of the brushstrokes I used to convey this feeling:

the clouds in the sky

the trees trees on the right

the distant trees

the grass in the field

I began this painting in January 2025, then set it aside for a while. Here is how it looked at the beginning of the process – just the main blocks of colour:

Stage 1

And here is a more recent stage:

Final stages of this painting

Crai reservoir

Today I decided to make the most of this glorious weather and so I went to paint the view of the Crai reservoir from a lay-by in the Brecon Beacons National Park.

81.
Crai reservoir
8 x 12 in / 20.32 x 30.48 cm
oil on board

It was an absolutely amazing place. The light changed constantly, and many bikers and cyclists stopped to have a chat and a peek at my painting.

I really needed to be out in this stunning national park.

Lay-by location on the A4067

Plein air painting in progress

The washing line

"The washing line" is the first painting of 2025 and the first painting made in Ystradgynlais, the village in Wales where I live now.

80.
05/05/2025
The washing line
7 x 9 in / 17.8 x 22.9 cm
oil on board

I painted it en plein air from my garden. I have always been fascinating by clothes lines and this is the first chance I had to capture it with my paint.

This painting has revealed me new aspects of oils and I like the fact that on the background there is the Brecon Beacons National Park.

This was my painting setting and view.

Black and white picture challenge 10 of 10

 the last day of this exciting black and white picture challenge is a couple of leaves.

For this final piece, I’ve created a life drawing of two leaves I picked up during yesterday’s walk. The one at the back is from an oak tree, while the one in the foreground is from common ivy. As always, I’ve used black ink pens.

Black and white picture challenge 9 of 10

 Today's drawing:

For this one, I drew inspiration from the woodland. During the dogs' walk, I picked up some organic materials to sketch later in the studio. So, here it is: a pine cone with two twigs of pine needles, sketched from life with black pens.